• 28th Annual Asian American Showcase
    • 28th Annual Asian American Showcase
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FAAIM
  • 28th Annual Asian American Showcase
    • 28th Annual Asian American Showcase
    • SLANTED
    • THIRD ACT
    • YEAR OF THE CAT
    • BEN & SUZANNE, A REUNION IN 4 PARTS
    • CAN I GET A WITNESS?
    • BITTERROOT
    • NEW WAVE
    • THE WEDDING BANQUET
    • ASIAN PERSUASION COMEDY VARIETY SHOW
    • SHORTS - One City, Many Perspectives
    • SHORTS - Marinig at Makita Ako [Hear & See Me]
    • SHORTS - Finding Home
    • SHORTS - Far & Away - Docs
    • SHORTS - Choosing Ourselves
    • SHORTS - Roadblocks
    • FILMMAKERS WORKSHOP
    • JONATHAN LAXAMANA EMERGING FILMMAKER AWARD
  • Past Showcase
    • 2024 SHOWCASE
    • JONATHAN LAXAMANA EMERGING FILMMAKER AWARD
    • DIDI
    • AAPI VOICES AT KARTEMQUIN
    • NOBUKO MIYAMOTO: A SONG IN MOVEMENT
    • ASHIMA
    • THE QUEEN OF MY DREAMS
    • SMOKING TIGERS
    • SHORTS - BETWEEN TWO WORLDS
    • SHORTS - FAMILY IS EVERYTHING
    • SHORTS - IN FULL SPECTRUM
    • SHORTS - CHICAGO!
    • ASIAN PERSUASION COMEDY VARIETY SHOW
  • About
  • Blog
  • Donate
  • Contact Us

Notes From The Festival Director Tim Hugh

It has been awhile, but as I sit here on the morning of our 25th opening night, I think back to the beginning of March 2020, the year when we were supposed to have our 25th anniversary. Our schedule was locked, the Gene Siskel Film Center Gazettes were just printed and about to be mailed and distributed. I was super excited to be having Lynn Chen’s I WILL MAKE YOU MINE (the last part of the SURROGATE VALENTINE, DAYLIGHT SAVINGS trilogy) as the opening night film, and to be closing our showcase with one of our most important documentaries, Rennee Tajima-Pena & Christine Choy’s WHO KILLED VINCENT CHIN?, two films that we have history with, that are meaningful to us.

Then the world changed. 

We didn’t know then, but every single aspect of our lives would be different. At first we thought we still would be having our showcase, or at the very least, maybe later in the year, but as time slowly rolled on, we knew it wasn’t going to happen. As COVID played havoc, Anti-Asian hate and violence rose, and things were and felt bad, for everyone.  But if you looked, there were some cool things happening around us as most of us were locked down.  PBS aired the five-hour documentary series ASIAN AMERICANS, produced by Rene Tajima-Pena. ESPN aired the Bruce Lee documentary BE WATER, which was directed by Bao Nguyen, and scored by our friend Goh Nakamura. Ocean Vuong’s novel ON EARTH WE’RE BRIEFLY GORGEOUS started burning up the NEW YORK TIMES bestseller list. As things started to roll into 2021, A24 films released Lee Isaac Chung’s (a showcase alumni!) MINARI, which went on to earn 6 Academy Award nominations. Image Comics began printing Pornsak Pichetshote’s THE GOOD ASIAN, which Variety voted one of the best comics of the year. And let’s not forget the Marvel Studios release of the blockbuster SHANG-CHI AND THE LEGEND OF THE TEN RINGS! 

Besides being some of my favorite discoveries during these COVID days, they all tell stories of Asian American histories and experiences presented to us by mainstream media outlets! Think about that for a minute. Would have any of this happened 20 years ago? 10 years ago? 5 years ago…maybe? But it did happen, and in one of our most troubled and turbulent times in recent decades for us Asian Americans, our voices and stories are being heard, and people are listening! 

Which brings me back to why the Asian American Showcase started in the first place. These types of stories and films were always being told, but nobody really knew about them. Our partner, The Gene Siskel Film Center believed just as strongly as we did that these films, our histories, and voices should be heard and seen and gave us the opportunity to amplify them through our little festival. 

So much has changed since COVID, but change can be good too. There's a new law in Illinois–The Teaching Equitable Asian American History Act will now require state public schools to add an Asian American history curriculum. Chicago confirms its first female Asian American City Councilperson, Nicole Lee. While the Showcase might feel different too (masks are still required at The Gene Siskel Film Center, and no food or drink served or allowed) we’ll still be there with our films and docs this April 1st through 13th  trying to get more stories and voices heard, so please stop by and help us celebrate our 25th year!  

tags: Asian American Showcase, Gene Siskel Film Center, 2022
Friday 04.01.22
Posted by Huu Ly
 

Notes from The Festival Director Tim Hugh

As I sit here on the eve of the Showcase, nervously and anxiously anticipating what this year's festival brings. With so much uncertainty in the air, not just politically but with arts funding, cultural and social services being cut, I feel privileged to still be able to be part of our community. Most of you do not know, but we (The Foundation for Asian American Independent Media / Asian American Showcase) work on a volunteer basis with no sponsorship, federal or state funding. We are comprised of less than a handful of people and work on passion, love and the belief in what we are doing is good for our community, and year after year we strive to find you the best films that Asian America has to offer. We have the utmost gratitude and respect for our partner The Gene Siskel Film Center (and all of the staff) to help us make our dream a reality.

Pictured from left to right: Helga, Tim Hugh

Pictured from left to right: Helga, Tim Hugh

Some Notes on the films:

The Tiger Hunter (Lena Khan) Starring Danny Pudi who some might know as Abed from the TV series Community, but most of you will know him from Chicago’s Asian American sketch comedy group - Stir Friday Night. This wacky comedy satirizes an ambitious immigrant’s plight while delivering a winning message about remaining true to your roots.

Motherland (Ramona S. Diaz) Premiered at Sundance this year and is directed by the awarding winning filmmaker Ramona S. Diaz whose other films include Imelda and Don’t Stop Believin’: Everyman’s Journey. The world’s busiest maternity hospital in Manila is the setting for this warm, immersive documentary providing a touching, enlightening, humorous and shocking portrait of motherhood stripped down to its most human essentials.

Resistance At Tule Lake (Konrad Aderer) reminds us of our US history and about our civil liberties and beliefs. Americans of Japanese ancestry, while interned, were forced answer a questionnaire which branded them disloyal to the US government.

Wexford Plaza (Joyce Wong) Winner of the CAAMFEST Comcast Narrative Film Award is possibly my favorite film of this year. Who doesn’t love a quirky and offbeat comedy that’s also witty and moving, just like it’s first time feature director Joyce Wong.

Light (Lenora Lee, Tatsu Aoki) I can’t say how excited I am to be able to bring this special presentation to you. In addition to the film itself about the life of Bessie M. Lee who came to NYC as an indentured servant, but was also responsible for New York’s Chinatown community, we’ll have a live performance of music and dance brought to you by Lenora Lee, Tatsu Aoki and friends. I can not tell you how important Tatsu has been to our community - not just as a musician, or filmmaker, but also an educator and a leader. 

Finding Kukan (Robin Lung) A documentary about a documentary? It’s so much more as in telling the story of Li Ling-Ai and her extraordinary determination in making the 1941 Academy Award-winning documentary Kukan, but also Lung examines this important film and places its producer in her rightful place - a place that was denied to Li Ling-Ai at the time of Kukan’s release. Both this story and this film have much to tell us about gender, race, power, and the way that our society worked then and works now.

Gook (Justin Chon) An Audience Award winner at Sundance and CAAMFEST, Many of you might know director Justin Chon from acting in the Twilight Saga, or even last year’s showcase favorite Seoul Searching, but as the writer / director of Gook he offers a bold, honest, and compelling story, that’s also a nostalgia trip of the 1990’s. Nuanced and complex, this film is shockingly present and relevant today, 25 years after Rodney King.

Last but not least, please check out our art exhibit “Fierce Tidings: On Rage and Hope” presents work by contemporary Asian American and Asian Diasporic artists, drawing from their personal experiences of events relating to injustice and trauma. We’ll also have an artist pop-up shop where you can purchase other work from the artist involved.

We have an amazing selection of films this year, pass the word around and we hope to see you soon, and bring a friend or two!

If you can’t make it you can still support us by either buying a ticket or two online, then letting us know and we’ll donate it to one of our community groups or by making a donation thru our Paypal account.

http://www.faaim.org/donate/

A big shout out to Jonathan Laxamana, Huu Ly, Larry Lee and Lydia Fu, and the GENE SISKEL FILM CENTER without any of them, this would not have been possible!

 

Tim Hugh
Festival Director
Foundation for Asian American Independent Media

tags: Asian American Showcase, FAAIM, Asian American, Film, Art, Gene Siskel Film Center, Chicago
Thursday 03.30.17
Posted by Huu Ly