• 28th Annual Asian American Showcase
    • 28th Annual Asian American Showcase
    • SLANTED
    • THIRD ACT
    • YEAR OF THE CAT
    • BEN & SUZANNE, A REUNION IN 4 PARTS
    • CAN I GET A WITNESS?
    • BITTERROOT
    • NEW WAVE
    • THE WEDDING BANQUET
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    • JONATHAN LAXAMANA EMERGING FILMMAKER AWARD
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    • SMOKING TIGERS
    • SHORTS - BETWEEN TWO WORLDS
    • SHORTS - FAMILY IS EVERYTHING
    • SHORTS - IN FULL SPECTRUM
    • SHORTS - CHICAGO!
    • ASIAN PERSUASION COMEDY VARIETY SHOW
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FAAIM
  • 28th Annual Asian American Showcase
    • 28th Annual Asian American Showcase
    • SLANTED
    • THIRD ACT
    • YEAR OF THE CAT
    • BEN & SUZANNE, A REUNION IN 4 PARTS
    • CAN I GET A WITNESS?
    • BITTERROOT
    • NEW WAVE
    • THE WEDDING BANQUET
    • ASIAN PERSUASION COMEDY VARIETY SHOW
    • SHORTS - One City, Many Perspectives
    • SHORTS - Marinig at Makita Ako [Hear & See Me]
    • SHORTS - Finding Home
    • SHORTS - Far & Away - Docs
    • SHORTS - Choosing Ourselves
    • SHORTS - Roadblocks
    • FILMMAKERS WORKSHOP
    • JONATHAN LAXAMANA EMERGING FILMMAKER AWARD
  • Past Showcase
    • 2024 SHOWCASE
    • JONATHAN LAXAMANA EMERGING FILMMAKER AWARD
    • DIDI
    • AAPI VOICES AT KARTEMQUIN
    • NOBUKO MIYAMOTO: A SONG IN MOVEMENT
    • ASHIMA
    • THE QUEEN OF MY DREAMS
    • SMOKING TIGERS
    • SHORTS - BETWEEN TWO WORLDS
    • SHORTS - FAMILY IS EVERYTHING
    • SHORTS - IN FULL SPECTRUM
    • SHORTS - CHICAGO!
    • ASIAN PERSUASION COMEDY VARIETY SHOW
  • About
  • Blog
  • Donate
  • Contact Us

Artist Interview // KATIE SO

Katie So is an illustrator and tattooer from Vancouver, BC. After graduating from graphic design school, Katie found her place in small press comics, through which she has had the opportunity to exhibit her work around the world. From there, she honed her illustration style to the recognizable brush and ink work she is known for. For the past two years, Katie has applied her illustrative style to tattooing and is currently a resident artist at Black Medicine Tattoo in Vancouver. Whatever medium she is expressing herself in, Katie's work retains a sense of dark introspection and humour. 

Image courtesy of artist.

Image courtesy of artist.

So is one of the artists in the Fierce Tidings art exhibition at the Gene Siskel Film Center in conjunction with the FAAIM 22nd Annual Asian American Showcase which runs March 31st through April 12th, 2017. We asked her a few questions about her work and artistic practice!

from "Dirty Knees" group show, by Katie So. Image courtesy of artist.

from "Dirty Knees" group show, by Katie So. Image courtesy of artist.

-Does your identity or how you identify yourself inform your work in any way?

I’ve been told that my work involves asian subjects or themes with a European storybook application. That’s not something I consciously considered when approaching my work, but my mixed background has clearly seeped into my work whether I’m aware of it or not. I also identify as female, and definitely celebrate the feminine and female form in my work, whether portraying it in a sensual or sinister way. I think the female psyche embodies both those things, and I try and celebrate that. 

Comic from "Dirty Knees" exhibit. Image courtesy of artist.

Comic from "Dirty Knees" exhibit. Image courtesy of artist.

-When making your work, do you have certain expectations or do you aim for a specific reaction in your audience and the viewer? (Do you care about how the message of your work is received?)

I generally have something to saywith the work I put out there, but I don’t like to display my intent directly along side it because what has personal meaning to me, might (probably does) mean something else to another person. I’ve always been fascinated and motivated by the viewers’ own interpretations. What someone takes away from my art is never incorrect, and often those revelations end up being different than what I would have thought which is so interesting. Sometimes, it takes someone else’s viewpoint to really solidify what I was trying to say with a piece, which is why art is so important to me. 

Image courtesy of artist.

Image courtesy of artist.

-Does art serve a purpose for you outside of just beauty or aesthetics?

I’ve used art as a therapeutic process, which begins when I’m creating the piece and continues through to sharing and discussing it with my peers and my audience. I’ve learned a lot through the dialogue my art has started about racial identity and mental health issues. It’s easy to think that you’re the only one processing the complexity of these issues, but I’ve found that the artwork I’ve created has helped me and people who enjoy my art feel a little less secluded. 

"Inner Tempest" Image courtesy of artist.

"Inner Tempest" Image courtesy of artist.

-How do current events affect your practice?

Current events are very overwhelming. I’m overwhelmed most of the time! If anything, I’ve felt more comfortable discussing the issues that inform my work because race inequality and the stigma of mental health aren't issues to be quiet about anymore. Hopefully, we can talk about and discuss these issues more openly. 

from "Attempts at Positivity" Image courtesy of artist.

from "Attempts at Positivity" Image courtesy of artist.

-Do you feel you are more reactive or more reflective when you create?

Definitely reflective. I struggle with depression and personal identity and art can help to articulate the way I’m feeling, whether thats to myself or to my audience.


See more of Katie So's work on katie.so // Instagram @ghostmeadow // Tumblr http://katieso.tumblr.com/ // Katie's Tattoo tumblr https://katiethebaby.tumblr.com/ // Join us at the Fierce Tidings art exhibition opening Friday, March 31, 2017.

tags: katie so, illustration, illustrator, art, artist, Fierce Tidings, tattoo, comics, drawing
categories: art, design
Thursday 03.30.17
Posted by Guest User
 

Artist Interview // NOMI CHI

Nomi Chi is a multidisciplinary visual artist currently residing in Vancouver, Canada. Chi’s primary practice engages with the visual lexicon of illustration and tattoo. Images produced within their painting and drawing practices display a heightened sense of emotive drama, often composing animal and human figures, in varying degrees of fictitious construction, as stand-ins for personal experiences and observations on human nature. Their current focus takes interest in power relations and ontological distinctions between individuals, and between the individual/environment. Multi-breasted, multi-limbed, femme-bodied creatures and figures populate the worlds they create, with the intention of - among other things - calling to question notions of femininity, and by proxy gender as a whole. Interactions between these figures signify Chi’s interests in depicting sexuality, ritual, and the search for identity.

Image courtesy of artist.

Image courtesy of artist.

Chi is one of the artists in the Fierce Tidings art exhibition at the Gene Siskel Film Center in conjunction with the FAAIM 22nd Annual Asian American Showcase which runs March 31st through April 12th, 2017. We asked them a few questions about their work and artistic practice!

Does your identity or how you identify yourself inform your work in any way?

Certainly. My drawing style is often described as being markedly 'Asian' - actually, I started drawing because I watched so much anime as a child. To this day, there are notable vestiges of that influence in my work. A lot of my work is concerned with my identity - as a queer person, as a femme-bodied person, as a bi-racial person. As such, I strive for my work to resonate with folks who struggle with similar facets of themselves. 

Image courtesy of artist.

Image courtesy of artist.

-When making your work, do you have certain expectations or do you aim for a specific reaction in your audience and the viewer? (Do you care about how the message of your work is received?)

Purveying a clear message is not important to me - I like to operate in a space of ambiguity.  My work is often prompted by an emotion or a thought, and I aim for my work to be evocative of intense emotion. I find it interesting when viewers bring their own narratives and meaning to the image, even if it strays far from whatever intention I have behind the work. 

-Does art serve a purpose for you outside of just beauty or aesthetics?
To me, art and art-consumption is a very necessary and utilitarian part of my life. So, in short: yes.

"In This Time of Need" by Nomi Chi. Image courtesy of artist.

"In This Time of Need" by Nomi Chi. Image courtesy of artist.

"Maybe she'll live so long she'll forget about me" by Nomi Chi. Image courtesy of artist.

"Maybe she'll live so long she'll forget about me" by Nomi Chi. Image courtesy of artist.

-How do current events affect your practice?

For a long time, and still even now, I've felt overwhelmed and disheartened. Many of us are asking ourselves: Why bother making art? Can my art be helpful to anyone? How do I channel this frustration/despair into something positive? It's been a struggle to pick up a pencil. However, I've also observed a lot of energy and inspiring backlash against the rise of fascistic political forces, and in particular I've seen a lot of artists rallying around each other and marginalized communities in an attempt to soften the blow. Witnessing this, and also being a part of this, has been uplifting. It has definitely forced me to consider the political implications of the images I make.

-Do you feel you are more reactive or more reflective when you create?
I feel like my most interesting work is made when I am on autopilot, kind of like free association. So, maybe a mix of both.


See more of Nomi Chi's work on www.nomi-chi.com  // Instagram @Nomi_chi // Join us at the Fierce Tidings art exhibition opening Friday, March 31, 2017.

tags: art, tattoo, illustration, painting, Nomi Chi, Fierce Tidings
categories: art
Wednesday 03.29.17
Posted by Guest User