TERRY YANG

"Born in 1992 at Los Angeles, California, Terry Yang earned her BFA in Illustration from the Art Center College of Design. Her paintings feature hidden figures displaying journalism, masculinity in femininity, and hidden meanings. Her figures hide human expressions; barely showing face. Only using body language mixed with environmental awareness. Inspired by Korean and Western folk, it creates subtle behaviors: trends, beliefs, and backstage problems." - Artist bio

Terry Yang is a Los Angeles based illustrator. She is one of the participating artists for the Fierce Tidings art exhibition (March 31 - May 12) at the Gene Siskel Film Center in conjunction with the FAAIM 22nd Annual Asian American Showcase which runs March 31st through April 12th, 2017.

"School Zone" by Terry Yang. (Image courtesy of artist)

Page from Yang's sketchbook. (Image courtesy of artist)

See more of Terry Yang's work on www.terryang.com // Instagram @bafiayang // Join us at the Fierce Tidings art exhibition running Friday, March 31, 2017 - May 12, 2017.

Artist Interview // KATIE SO

Katie So is an illustrator and tattooer from Vancouver, BC. After graduating from graphic design school, Katie found her place in small press comics, through which she has had the opportunity to exhibit her work around the world. From there, she honed her illustration style to the recognizable brush and ink work she is known for. For the past two years, Katie has applied her illustrative style to tattooing and is currently a resident artist at Black Medicine Tattoo in Vancouver. Whatever medium she is expressing herself in, Katie's work retains a sense of dark introspection and humour.

So is one of the artists in the Fierce Tidings art exhibition at the Gene Siskel Film Center in conjunction with the FAAIM 22nd Annual Asian American Showcase which runs March 31st through April 12th, 2017. We asked her a few questions about her work and artistic practice!

from "Dirty Knees" group show, by Katie So. Image courtesy of artist.

-Does your identity or how you identify yourself inform your work in any way?

I’ve been told that my work involves asian subjects or themes with a European storybook application. That’s not something I consciously considered when approaching my work, but my mixed background has clearly seeped into my work whether I’m aware of it or not. I also identify as female, and definitely celebrate the feminine and female form in my work, whether portraying it in a sensual or sinister way. I think the female psyche embodies both those things, and I try and celebrate that.

Comic from "Dirty Knees" exhibit. Image courtesy of artist.

-When making your work, do you have certain expectations or do you aim for a specific reaction in your audience and the viewer? (Do you care about how the message of your work is received?)

I generally have something to saywith the work I put out there, but I don’t like to display my intent directly along side it because what has personal meaning to me, might (probably does) mean something else to another person. I’ve always been fascinated and motivated by the viewers’ own interpretations. What someone takes away from my art is never incorrect, and often those revelations end up being different than what I would have thought which is so interesting. Sometimes, it takes someone else’s viewpoint to really solidify what I was trying to say with a piece, which is why art is so important to me.

-Does art serve a purpose for you outside of just beauty or aesthetics?

I’ve used art as a therapeutic process, which begins when I’m creating the piece and continues through to sharing and discussing it with my peers and my audience. I’ve learned a lot through the dialogue my art has started about racial identity and mental health issues. It’s easy to think that you’re the only one processing the complexity of these issues, but I’ve found that the artwork I’ve created has helped me and people who enjoy my art feel a little less secluded.

"Inner Tempest" Image courtesy of artist.

-How do current events affect your practice?

Current events are very overwhelming. I’m overwhelmed most of the time! If anything, I’ve felt more comfortable discussing the issues that inform my work because race inequality and the stigma of mental health aren't issues to be quiet about anymore. Hopefully, we can talk about and discuss these issues more openly.

from "Attempts at Positivity" Image courtesy of artist.

-Do you feel you are more reactive or more reflective when you create?

Definitely reflective. I struggle with depression and personal identity and art can help to articulate the way I’m feeling, whether thats to myself or to my audience.

See more of Katie So's work on katie.so // Instagram @ghostmeadow // Tumblr http://katieso.tumblr.com/ // Katie's Tattoo tumblr https://katiethebaby.tumblr.com/ // Join us at the Fierce Tidings art exhibition opening Friday, March 31, 2017.

Artist Interview // PRISCILLA YU

Priscilla Yu is a multi-disciplinary artist and illustrator based in Vancouver, BC Canada. Her work is a combination of visually-learned geometry and perspective, intuitive colour decisions, and personal narratives.

Priscilla Yu is one of the artists in the Journey-scapes art exhibition at the Gene Siskel in conjunction with the FAAIM 21st Annual Asian American Showcase April 1st through 14th, 2016. We asked her a few questions about her work and artistic journey!

What/Who inspires you?

Priscilla Yu: I'm inspired by a lot. I'm inspired by nature; the geometry, the beauty, and the systems within it, and I'm inspired by other creative people. I'm inspired by all the artists, illustrators, designers, musicians, and actors around me who are also pursuing their craft.

Treasure Hunt, images courtesy of the artist.

What are you working on right now?

Priscilla Yu: For a long time, people were always telling me that my paintings would look good on clothing, or that I should do something involved with fashion. So right now, I am working on a personal project, creating a series of clothing inspired by a series of of paintings. Each piece of clothing will be inspired by an aspect from the world within the paintings. I'm still at the experimenting stage with producing these items. I've been experimenting with dye-sublimation printing on polyester. It's kind of fun making the kind of clothing that the beings in my paintings wear, for actual people.

Glass Castle and the Obelisk Storm, images courtesy of the artist.

How would you describe your artistic journey?

Priscilla Yu: My artistic journey has been simultaneously thrilling, satisfying, and bumpy. It's always been really exciting to see what can come out of my brain and onto paper or canvas. I love experiencing that magic of feeling creativity and getting lost in a piece. My art has also connected me to a lot of people whom I love. I also love the learning involved in each project that I do.

On the other hand, I also experience 'impostor syndrome' from time to time. This is where there's this sense of self-doubt, where I feel like, "I'm a fake artist. Do people know that? People are giving me actual money for my thoughts and creativity?" It's super funny, and I'm getting better at not letting that get too out of hand and make me anxious. Overall, my artist journey has been very enriching.

See more of Priscilla Yu’s work on her website www.priscillayu.ca/ // Instagram @brickgirl.yu // Tumblr at priscillayuart.tumblr.com // Join us at Journey-scapes art exhibition opening Friday, April 1, 2016.