• 28th Annual Asian American Showcase
    • 28th Annual Asian American Showcase
    • SLANTED
    • THIRD ACT
    • YEAR OF THE CAT
    • BEN & SUZANNE, A REUNION IN 4 PARTS
    • CAN I GET A WITNESS?
    • BITTERROOT
    • NEW WAVE
    • THE WEDDING BANQUET
    • ASIAN PERSUASION COMEDY VARIETY SHOW
    • SHORTS - One City, Many Perspectives
    • SHORTS - Marinig at Makita Ako [Hear & See Me]
    • SHORTS - Finding Home
    • SHORTS - Far & Away - Docs
    • SHORTS - Choosing Ourselves
    • SHORTS - Roadblocks
    • FILMMAKERS WORKSHOP
    • JONATHAN LAXAMANA EMERGING FILMMAKER AWARD
  • Past Showcase
    • 2024 SHOWCASE
    • JONATHAN LAXAMANA EMERGING FILMMAKER AWARD
    • DIDI
    • AAPI VOICES AT KARTEMQUIN
    • NOBUKO MIYAMOTO: A SONG IN MOVEMENT
    • ASHIMA
    • THE QUEEN OF MY DREAMS
    • SMOKING TIGERS
    • SHORTS - BETWEEN TWO WORLDS
    • SHORTS - FAMILY IS EVERYTHING
    • SHORTS - IN FULL SPECTRUM
    • SHORTS - CHICAGO!
    • ASIAN PERSUASION COMEDY VARIETY SHOW
  • About
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FAAIM
  • 28th Annual Asian American Showcase
    • 28th Annual Asian American Showcase
    • SLANTED
    • THIRD ACT
    • YEAR OF THE CAT
    • BEN & SUZANNE, A REUNION IN 4 PARTS
    • CAN I GET A WITNESS?
    • BITTERROOT
    • NEW WAVE
    • THE WEDDING BANQUET
    • ASIAN PERSUASION COMEDY VARIETY SHOW
    • SHORTS - One City, Many Perspectives
    • SHORTS - Marinig at Makita Ako [Hear & See Me]
    • SHORTS - Finding Home
    • SHORTS - Far & Away - Docs
    • SHORTS - Choosing Ourselves
    • SHORTS - Roadblocks
    • FILMMAKERS WORKSHOP
    • JONATHAN LAXAMANA EMERGING FILMMAKER AWARD
  • Past Showcase
    • 2024 SHOWCASE
    • JONATHAN LAXAMANA EMERGING FILMMAKER AWARD
    • DIDI
    • AAPI VOICES AT KARTEMQUIN
    • NOBUKO MIYAMOTO: A SONG IN MOVEMENT
    • ASHIMA
    • THE QUEEN OF MY DREAMS
    • SMOKING TIGERS
    • SHORTS - BETWEEN TWO WORLDS
    • SHORTS - FAMILY IS EVERYTHING
    • SHORTS - IN FULL SPECTRUM
    • SHORTS - CHICAGO!
    • ASIAN PERSUASION COMEDY VARIETY SHOW
  • About
  • Blog
  • Donate
  • Contact Us

Journey-scapes Art Pop Up Market ACT II // APR 9, 5PM

Back by popular demand! Join us for the SECOND ACT of Journey-scapes Artist Pop-up Market this Saturday April 9, 2016 starting 5pm before and after the screening for MELE MURALS (Mele Murals - Documentary), a film about the Hawaiian art scene and the influence of ancient traditions on graffiti art! Be sure to come visit the Gene Siskel Film Center of the School of the Art Institute of Chicago and stay for both!

Participating Journey-scapes artists will be offering wares such as jewelry, prints, art, pins, zines, comics, and more!

tags: Journeyscapes, art, artist, illustration, LostBoy Illustrations, agnes ma, Julia Kuo, Sitji Chou, Lydia Fu, prints, shop, jewelry
categories: art
Wednesday 04.06.16
Posted by Guest User
 

Small town hero with an American Dream - Interview with Growing Up Smith’s Anjul Nigam

By Anum Syed (asyed55@hotmail.com)

Anjul Nigam (Writer/Producer/Actor)

Anjul Nigam (Writer/Producer/Actor)

What do Superman, Frodo Baggins, and Smith Bhatnagar have in common? They all come from humble beginnings and are in search for a sense of acceptance.

GROWING UP SMITH, directed by Frank Lotito, has been praised for its ability to transcend racial and class barriers in small town America. Anjul Nigam delivers a comical standout performance as head honcho Bhaaskar Bhatnagar, and his involvement in writing and producing the heart-warming film as told through the eyes of a young and optimistic immigrant has captivated audiences.

In honor of GROWING UP SMITH's screening at the Asian American Showcase on April 14th and at the Houston Asian American Film Showcase on April 29th, we had the opportunity to interview the talented Anjul Nigam:    

I want to begin by congratulating you on Growing Up Smith’s success. With awards such as the Jury Award for Best Narrative Feature at CAAMFest, and the Audience Award Best Narrative Feature at the Woodstock Film Festival and Naples International Film Festival, why do you think Good Ol’ Boy has been so well received?

I believe there is a need for feel-good films that depict the human experience with humor and truth and are without explosions, profanity and violence. Our movie tells a story that is a tribute to first love, childhood heroes and growing up in Small Town, America... in simpler times. Our world today is filled with so much cynicism that Growing Up Smith offers a well-needed escape from this negativity.

A specific element which separates Growing Up Smith from other movies is its family-friendly approach. How important was it to you that the movie remain wholesome and why?

I have two kids, ages 12 and 6, and when we want to go see a film as a family, the only options we have are animated movies. While I enjoy a well-made cartoon movie, I believe there’s room for stories that can appeal to both kids and adults alike and still live in the real world.

Your portrayal of Bhaaskar Bhatnagar is incredibly witty and humorous. What inspired your character to be so outlandish yet relatable?

A lot of Bhaaskar is based on my own father. We immigrated to the U.S. (to Connecticut), when I was a kid, and I grew up with my parents wanting to preserve our Indian tradition while allowing us opportunities that would help us assimilate so that we would face as few obstacles as possible. Meanwhile, my father’s goal was never to be here permanently, but rather to become professionally established and then return to our homeland. Bhaaskar’s line, “We’ll go back and live the American Dream, in India” is borrowed directly from my father.  I think it’s relatable because the immigrant experience is essentially universal in that it’s about finding home away from home.

All the characters in Growing Up Smith are multi-dimensional with their own personal struggles. Which character, aside from Bhaaskar Bhatnagar, do you feel is the most genuine and why?

I would say Smith, the Growing Up Smith himself. His adolescent experience is molded greatly by his parents. From the first moment we meet him, we see that his father is holding up a photograph of a girl Smith will marry when he turns twenty-two.  And yet, he’s exposed to everything that America has to offer but his traditional Indian parents would never approve: Kentucky Fried Chicken (he’s from a vegetarian family), views of his hero Butch making out openly on the front lawn, and above all, Amy, his first love. The more Smith immerses himself in these opportunities thrown at him, the more we realize that they are a real part of growing up. And as he responds to them, we’re touched by his unabashed honesty. For instance, when he is so moved by Amy, he can’t help but share with his parents that “I love her!" Smith is an awkward boy, trying to fit in in his new home, and viewing the world with bewildered joy and expectation.

Is there a specific scene in Growing Up Smith that epitomizes your upbringing?

As one of the writers, I borrowed greatly from my own personal upbringing in an immigrant Indian family. There is scene where Smith is handed a traditional punishment known as utthak baithak and it is based on something my brothers and I grew up with. When we had done something wrong, my parents would reprimand us by having us hold our ears and squat up and down a designated number of times. It wasn’t a painful punishment; it was humiliating, and so the emotional impact was greater than being spanked.

Were you ever fearful that the portrayal of Indian immigrants in Growing Up Smith may come off as too stereotypical during the filming process?

Stereotypes are often based on truths and it can be difficult to avoid such a label when telling a story built on certain truths. Moreover, concerns about stereotypes are too often misplaced.  The important questions to ask would be whether the characters we portray are three-dimensional and do they have a beginning, middle, and end? Do they fit in the story in an integral way? Roles that perpetuate a negative stereotype are those that are on the fringes of the story and not developed. As such, in Growing Up Smith, we made sure all the Indian immigrant characters are significant and substantial.

What are some movies that have inspired you to continue not only acting, but writing and producing as well?

I was inspired to become an actor by watching The Ten Commandments when I was eight. Charlton Heston in the role of Moses was my childhood hero. I was so moved by the performance, that after seeing the movie, I found a stick in my backyard and called it my staff.  As my friends were playing cops and robbers, I was trying to open the Red Sea which was my lawn in Connecticut. From a writing/producing perspective, some of my favorite films are Stand By Me, Billy Elliot, Whale Rider and Big Night. They’re all intimate stories about the human experience, and they have inspirational themes.

“Consider your ethnicity a wardrobe. ...when you put on your favorite pair of jeans, you’ll always feel good about who you are, and others might see it too and want you part of their lives and work.”

While the number of Asian Americans in movies and arts has increased, there is still a considerable lack of diversity of roles given to Asian Americans. What are your thoughts on the lack of diversity?

The issue of diversity is quite complex. On the one-hand, we fight to have opportunities that are based on skill and colorblind to any ethnicity and race. On the other hand, when we see opportunities provided to a white majority in a similarly colorblind way, we tend to have an issue with that. Our world is based on classifications at all levels: male vs. female; white vs. brown vs. black, etc.; young vs. old; straight vs. gay. In implementing an affirmative action directive to a certain class, we’ll always have another form of class that hasn’t been addressed.  Take for example, a character that is written as a police officer, and the character’s ethnicity, gender, and sexual orientation are not relevant to the storyline. Do we cast the role with a view to affirmative action in all classes? If not, how do we decide which minority class we need to give special consideration to? Or do we just cast the best actor for the role? Is there a balance to be made in accurately reflecting our diverse world and still holding onto colorblind values? I’m not sure what the answers are, but I do know they’re not simple.

What would you say to encourage Asian Americans to continue to participate in the film making process? 

Consider your ethnicity a wardrobe. It may not be relevant to some, but to others, the color of your pants may matter. You may not be able to change everybody’s taste, but when you put on your favorite pair of jeans, you’ll always feel good about who you are, and others might see it too and want you part of their lives and work.

Is there anything you would like to tell your fans and to encourage others to watch Growing Up Smith?

Growing Up Smith had a long journey to the screen. It’s a work of passion that was a rollercoaster ride in getting made. And so, it’s fitting that it takes the viewer on a ride, too. One that leaves you feeling inspired by an awkward little Indian boy.


Anjul Nigam to appear in-person at both screenings!

CHICAGO | APRIL 14 | 8:15 PM
21st Annual Asian American Showcase
The Gene Siskel Film Center
164 N State St, Chicago, IL 60601
 

Buy tickets - chicago

HOUSTON | APRIL 29 | 6:30 PM
Houston Asian American Film Showcase

14 Pews
800 Aurora St. Houston, TX 77009

Buy tickets - houston
tags: Good 'Ol Boy, Indian, South Asian, Film, Independent Film, Asian American, Anjul Nigam, Growing Up Smith
Monday 04.04.16
Posted by Huu Ly
 

Artist Interview // KONSTANTIN STESHENKO

Konstantin Steshenko studied animation at Emily Carr University of Art + Design in Vancouver, Canada. His first film "Wind & Tree" won Best Canadian Student Short at the Ottawa International Animation Festival 2013. Konstantin currently resides in Los Angeles and eats so many cookies that he feels guilty enough to write about it in his bio.

Images courtesy of the artist.

Images courtesy of the artist.

Konstantin Steshenko is one of the artists in the Journey-scapes art exhibition at the Gene Siskel Film Center in conjunction with the FAAIM 21st Annual Asian American Showcase April 1st through 14th, 2016. We asked him a few questions about his work and artistic journey!

What/Who inspires you?

The natural world is unceasingly surprising and if I can impart a small fraction of its wonder I will feel like I have been successful. I am indebted to Ursula K. Le Guin, Haruki Murakami, and Hayao Miyazaki for their work and inspiration.

Eliza, webcomic. Images courtesy of the artist.

Eliza, webcomic. Images courtesy of the artist.

What are you working on right now?

A webcomic about a guru I met on my travels through South East Asia and the future he foretold.

How would you describe your artistic journey?

I’ve been an artist ever since I can remember and love experimenting in different mediums, from animation and comics to writing and illustration. With every new project I seek to challenge myself with a new style and aesthetic that will best represent the idea I want to see born into the world.

See more of Konstantin Steshenko’s comics on http://www.konstantinsteshenko.com // konstantinsteshenko.tumblr.com // Instagram @steshenkon // Twitter @KonSteshenko // Join us at Journey-scapes art exhibition opening Friday, April 1, 2016.

tags: Konstantin Steshenko, art, artist, comics, animation, Journeyscapes
categories: art
Wednesday 03.30.16
Posted by Guest User
 

Artist Interview // TIFFANY LE

Tiffany Le is a Vietnamese-American freelance illustrator based in Southern California. She investigate themes of cultural legacy, comparative mythology and literature, and social topics through the Asian American lens.

Tiffany Le is one of the artists in the Journey-scapes art exhibition at the Gene Siskel in conjunction with the FAAIM 21st Annual Asian American Showcase April 1st through 14th, 2016. We asked her a few questions about her work and artistic journey!

What/Who inspires you?

Many things inspire me, and it's difficult to categorize--friends, family, literature, mythos, social topics, etc., but if I had to narrow it down to an overall encompassing factor, I'd call it a desire for narrative. Communication and understanding has been a driving motivator in my art, when I find words lacking to convey that.

Tragic Waters series, images courtesy of the artist.

Tragic Waters series, images courtesy of the artist.

What are you working on right now?

I'm currently working towards my thesis grad show for my MFA at CSU Long Beach. By documenting my family's stories, Tàu explores Vietnamese-American cultural history and refugee struggles through the metaphorical depiction of boat and water imagery.

Tragic Waters series, images courtesy of the artist.

Tragic Waters series, images courtesy of the artist.

How would you describe your artistic journey?

Constantly evolving--I feel that in our craft, mastery is not truly a thing, but it's something we strive towards to mean continually progressing and changing. So, it still feels like I'm bouncing around, trying new things, and collecting skill sets that work for me.

Tragic Waters series, images courtesy of the artist.

Tragic Waters series, images courtesy of the artist.

See more of Tiffany Le’s work on www.letealeaf.com/projects // Instagram @letealeaf // www.facebook.com/letealeaf // Join us at Journey-scapes art exhibition opening Friday, April 1, 2016.

 

tags: art, artist, illustration, Journeyscapes, Tiffany Le
categories: art
Tuesday 03.29.16
Posted by Guest User
Comments: 1
 

Journey-scapes POP UP SHOP! // APRIL 2nd, 6PM

Come out to the GENE SISKEL FILM CENTER (164 North State Street, downtown Chicago) for the Journey-scapes pop-up market before the Saturday, April 2nd TYRUS screening! Participating artists of the show will be offering prints, jewelry, pins, cards, zines and more!

tags: art, artist, journeyscapes, pop up market, zines, comics, jewelry, prints
categories: art
Tuesday 03.29.16
Posted by Guest User
 

Artist Interview // YUMI SAKUGAWA

Yumi Sakugawa is an Ignatz Awards nominated comic book artist. A graduate from the fine art program of University of California, Los Angeles, she lives in Los Angeles. Her comics have also appeared in The Believer, Bitch, the Best American Non­Required Reading 2014, The Rumpus, Folio, Fjords Review, and other publications.

Self portrait courtesy of the artist.

Self portrait courtesy of the artist.

Yumi Sakugawa is one of the artists in the Journey-scapes art exhibition at the Gene Siskel in conjunction with the FAAIM 21st Annual Asian American Showcase April 1st through 14th, 2016. We asked her a few questions about her work and artistic journey!

What/Who inspires you?

Yoko Ono, Bjork, Frida Kahlo, Tavi Gevinson, Kim Chi, Aimee Bender, Miranda July, Haruki Murakami. Astrology, intense conversations with girlfriends, meditation, aimless walks in downtown Los Angeles, museums, outrageous fashion, coffee, the lunar cycle.

Images courtesy of the artist.

Images courtesy of the artist.

What are you working on right now?

I am in the midst of completing a fully illustrated, DIY lifestyle guide to young women that should be coming out in bookstores next year. I am also working on a multimedia installation that will be on display at the Smithsonian for a 3-day pop-up art event in celebration of Asian American Pacific Islander Heritage month. Also, a few secret projects involving the singularity, the creative process, toxic female friendships and cults.

 

 

 

Images courtesy of the artist.

Images courtesy of the artist.

How would you describe your artistic journey?

I feel like my artistic journey truly began on a deeper level when I discovered meditation and mindfulness practice eight years ago. Mindfulness is about embracing the present moment and celebrating what is now, who you are now. Every year is distilling myself into a more concentrated version of my true authentic spirit. Every year I am delighted and surprised by the new layers I keep discovering within myself, and the new voices I get to share with the world. The more I discover new things about myself, the more attuned I feel to a higher wisdom that is guiding me along where I need to be right here and right now.

See more of Yumi Sakugawa’s comics on www.yumisakugawa.com and acrosstheyumiverse.tumblr.com // Instagram & Twitter @yumisakugawa // Join us at Journey-scapes art exhibition opening Friday, April 1, 2016.

 

 

tags: yumi sakugawa, zines, illustration, artist, art, comics, Journeyscapes
categories: art
Monday 03.28.16
Posted by Guest User
 

Artist Interview // SITJI CHOU

Sitji Chou is a lethargic cat trapped in a human meat body. He survives as a freelance animator in Vancouver, Canada. He is one of the artists in the Journey-scapes art exhibition at the Gene Siskel in conjunction with the FAAIM 21st Annual Asian American Showcase April 1st through 14th, 2016. We asked him a few questions about her work and artistic journey!

Images courtesy of the artist.

Images courtesy of the artist.

What/Who inspires you?

People watching inspires me a lot. I daydream a lot about where strangers are going, what they are doing and thinking, and about their past. That's usually the starting point but it deviates pretty quickly into a mess of nonsense.

What are you working on right now?

I just came back from a long trip, so I'm still in the pitching phase for a few freelance projects. There's a couple I'm pretty excited about but I don't want to jinx myself!

How would you describe your artistic journey?

My artistic journey definitely has had it's ups and downs. So much of the art I make depends on my frame of mind and I'm lucky that the stars have aligned enough times for me to make a career of it.

See more of Sitji Chou’s work on sitji.com // Instagram @sitjichou // Join us at Journey-scapes art exhibition opening Friday, April 1, 2016.

 

 

 

tags: art, artist, Sitji Chou, Journeyscapes, illustration, animator
categories: art
Monday 03.28.16
Posted by Guest User
 

Artist Interview // AGNES MA

Agnes Ma is a multidisciplinary artist whose prior background in biology is subtly interwoven in her chosen media of sculpture, metalwork, and jewelry. In her everyday life, she observes and collects forms in nature. Through this process, she is better able to appreciate and understand her environment.

Photo courtesy of artist

Photo courtesy of artist

Agnes is one of the artists in the Journey-scapes art exhibition at the Gene Siskel in conjunction with the FAAIM 21st Annual Asian American Showcase April 1st through 14th, 2016.

Photo courtesy of artist

Photo courtesy of artist

We sat down with Agnes at her studio in DeKalb to ask her a bit about her work and artistic journey! Check out her video interview below:

Photo courtesy of artist

Photo courtesy of artist

See more of Agnes Ma’s work on her website www.agnesma.com // Instagram @i_am_agnesma // Join us at Journey-scapes art exhibition opening Friday, April 1, 2016.

tags: agnes ma, artist, sculpture, nature, Journeyscapes
categories: art
Thursday 03.24.16
Posted by Guest User
Comments: 1
 

Artist Interview // LOSTBOY ILLUSTRATIONS

Behind LOSTBOY ILLUSTRATIONS is Fin Lee, a queer Korean American artist, illustrator, maker, and a proud Aquarius. They create abstract visceral formations, patterns, textiles, and affirmations with themes that surround their identity. Most recently, they completed a year long project posted on Instagram every day on 2015. View this work through the hashtag #365yokoonoillustratedtweets and @lostboyillustrations.

LOSTBOY ILLUSTRATIONS is one of the artists in the Journey-scapes art exhibition at the Gene Siskel in conjunction with the FAAIM 21st Annual Asian American Showcase April 1st through 14th, 2016. We asked them a few questions about their work and artistic journey!

What/Who inspires you?

LOSTBOY ILLUSTRATIONS: I'm continually inspired by the strong community of queer & POC folks. I think it is essential that more and more people speak out about their differences to create more visibility of often times marginalized communities. I am inspired by outspoken women who refuse to stay silent. I am inspired by people who continue to wake up every morning when they are paralyzed with mental illnesses. I am inspired by those who never give up and use their creativity as an outlet.

Images courtesy of the artist.

Images courtesy of the artist.

What are you working on right now?

LOSTBOY ILLUSTRATIONS: The pieces I am working on for the show is a direct translation and interpretation of my mother's immigration story to the states in 1974 from South Korea. I am honored and thrilled to be illustrating her own words and feel truly proud of her strength and courage to write her own narrative.  

Images courtesy of the artist.

Images courtesy of the artist.

How would you describe your artistic journey?

LOSTBOY ILLUSTRATIONS: That's exactly what it is... a journey. I've always created art and illustrations but for about 3 years I stopped. I'm so glad I picked up my pen again. I have recently started to make more consistent work and even got the opportunity to draw on Lady Gaga's dancer's costumes at the Grammys this year. My work has elevated itself from beyond the paper and I'm excited to see how my visceral line work continues to change using different canvases (ie: set designs, costumes, murals, etc).

See more of their work on www.lostboyillustrations.com // Instagram @lostboyillustrations // Join us at Journey-scapes art exhibition opening Friday, April 1, 2016.

 

 

tags: art, artist, illustration, Journeyscapes, LostBoy Illustrations
categories: art
Wednesday 03.23.16
Posted by Guest User
 

Artist Interview // JACE JUNGGYU KIM

Jace Junggyu Kim is a Canadian painter currently based in Vancouver, BC. His career started off as an animator but his enduring passion is for traditional painting. His painting on canvas arises from the meeting and combination of various artistic materials; oil, acrylic, ink, spray paint and others. He posts daily sketches on instagram at @jacethekim.

Jace is one of the artists in the Journey-scapes art exhibition at the Gene Siskel in conjunction with the FAAIM 21st Annual Asian American Showcase April 1st through 14th, 2016. We asked him a few questions about his work and artistic journey!

What/Who inspires you?

Jace Junggyu Kim: I get inspired by everything around me to everything inside of me. My paintings work as a bridge between the reality and the subconscious. I often get anxious to paint my raw emotions and like seeing them personified by my brush strokes.  

Dali with Magnolias, images courtesy of the artist.

Dali with Magnolias, images courtesy of the artist.

What are you working on right now?

Jace Junggyu Kim: I am currently working on a commission painting for my client. The work is called 'Midas' lips'. I have sold the original and the client requested me to paint the same so I am struggling to recall the particular emotions and the brush strokes. The expression is different every time and really hard to capture the same vibe with it.

Daily instagram sketches, images courtesy of the artist.

Daily instagram sketches, images courtesy of the artist.

How would you describe your artistic journey?

Jace Junggyu Kim: I have a major in animation. Coming from a such commercial art field provided me a tool to express. The contrast between working for companies and painting for myself really liberates myself from being constrained and limited. As much as I ran all the way around to do what I can truly enjoy doing, I acknowledged what it means to be working as a painter/visual artist. The effort and sacrifices I had to make to be where I am, are the reason why I do what I do now. I am not at my final destination and will not be there anyways since the journey is spontaneously continuous.

I Am Sorry Mom, images courtesy of the artist.

I Am Sorry Mom, images courtesy of the artist.

See more of Jace Junggyu Kim’s work on www.behance.net/apologies // Instagram @jacethekim // Join us at Journey-scapes art exhibition opening Friday, April 1, 2016.

 

 

tags: painting, art, artist, Journeyscapes, Jace JungGyu Kim
categories: art
Tuesday 03.22.16
Posted by Guest User
Comments: 1
 

Artist Interview // PRISCILLA YU

Priscilla Yu is a multi-disciplinary artist and illustrator based in Vancouver, BC Canada. Her work is a combination of visually-learned geometry and perspective, intuitive colour decisions, and personal narratives.

Photograph of artist by Shannyn Higgins

Photograph of artist by Shannyn Higgins

Priscilla Yu is one of the artists in the Journey-scapes art exhibition at the Gene Siskel in conjunction with the FAAIM 21st Annual Asian American Showcase April 1st through 14th, 2016. We asked her a few questions about her work and artistic journey!

What/Who inspires you?

Priscilla Yu: I'm inspired by a lot. I'm inspired by nature; the geometry, the beauty, and the systems within it, and I'm inspired by other creative people. I'm inspired by all the artists, illustrators, designers, musicians, and actors around me who are also pursuing their craft.  

Treasure Hunt, images courtesy of the artist.

Treasure Hunt, images courtesy of the artist.

What are you working on right now?

Priscilla Yu: For a long time, people were always telling me that my paintings would look good on clothing, or that I should do something involved with fashion. So right now, I am working on a personal project, creating a series of clothing inspired by a series of of paintings. Each piece of clothing will be inspired by an aspect from the world within the paintings. I'm still at the experimenting stage with producing these items. I've been experimenting with dye-sublimation printing on polyester. It's kind of fun making the kind of clothing that the beings in my paintings wear, for actual people.

Glass Castle and the Obelisk Storm, images courtesy of the artist.

Glass Castle and the Obelisk Storm, images courtesy of the artist.

How would you describe your artistic journey?

Priscilla Yu: My artistic journey has been simultaneously thrilling, satisfying, and bumpy. It's always been really exciting to see what can come out of my brain and onto paper or canvas. I love experiencing that magic of feeling creativity and getting lost in a piece. My art has also connected me to a lot of people whom I love. I also love the learning involved in each project that I do.

On the other hand, I also experience 'impostor syndrome' from time to time. This is where there's this sense of self-doubt, where I feel like, "I'm a fake artist. Do people know that? People are giving me actual money for my thoughts and creativity?" It's super funny, and I'm getting better at not letting that get too out of hand and make me anxious. Overall, my artist journey has been very enriching.

See more of Priscilla Yu’s work on her website www.priscillayu.ca/ // Instagram @brickgirl.yu // Tumblr at priscillayuart.tumblr.com // Join us at Journey-scapes art exhibition opening Friday, April 1, 2016.

 

tags: art, artist, Journeyscapes, Priscilla Yu, painting, illustrator
categories: art
Thursday 03.17.16
Posted by Guest User
 

Artist Interview // EILEEN TJAN

Eileen Tjan is an award-winning art director and multi-disciplinary graphic designer. Based in Chicago, her studio practice OTHER bridges international aesthetics to deliver progressive design and branding services.

Read more

tags: Eileen Tjan, design, illustration, art, artist, chicago, Journeyscapes
categories: art, design
Tuesday 03.15.16
Posted by Guest User
 

The On-Going Success of Asian American YouTube Beauty Gurus

For those who are already acquainted with the YouTube beauty community, then well-known names such as such Michelle Phan (MichellePhan), Promise Phan (Dope2111), and Jenn Im (ClothesEncoutners) should come of no surprise. Each with over a million subscribers, these YouTube beauty gurus, as they are refereed to on the online community, have helped to diversify the beauty and fashion industry to include Asian Americans who have often been underrepresented in American popular culture. 

Read more

tags: beauty, makeup, makeup artists, fashion, fashionista, asian american, asian, youtube
categories: beauty
Friday 03.04.16
Posted by Huu Ly
Comments: 1
 

Chicagoland Shorts X VOL1 Screening: Rockford, IL

Screening for this series of shorts will be held on:

MARCH 5, 5PM
J.R. Sullivan Theater at the
Rockford Public LIbrary, Rockford, IL

CHICAGOLAND SHORTS is a new short film series produced by Eugene Sun Park and Kayla Ginsburg, co-curated with Beckie Stocchetti (Kartemquin Films). The series celebrates the vastness of the Chicagoland experience, providing an outlet for cinematic voices that are underrepresented in mainstream media culture.

Chicagoland Shorts brings together the best of the so-called niche cinemas – queer, Asian American, black, experimental, etc. – culled from local film festivals, micro-cinemas, and film schools. This eclectic collection boasts award-winning films including a finalist for the 2014 Student Academy Award and the recipient of a Human Rights Award from Nielsen Reviews. Collectively, the films featured in Chicagoland Shorts have screened nationally and internationally at museums, galleries, and over 100 competitive film festivals.

 Queen of My Dreams — 3:00 — Fawzia Mirza and Ryan Logan
 Permute — 4:24 — Lydia Fu
 Jaspa’ Jenkins — 4:00 — Robert Carnilius
 Self-Deportation: The Untold Tale of a Marginal Woman — 19:28 — Eugene Sun Park
 Mae’s Journal — 12:00 — Amir George
 The Carousel, 1952-1987 — 4:00 — Amanda Taves
 Shirley’s Kids — 9:50 — Michael Paulucci
 Train — 2:00 — Valia O’Donnell
 Western Candyland — 2:30 — Robert-Carnilius
 Moms and Dads — 4:45 — Fred Frederiksen & Dylan Jones

For more information on the series and previous/upcoming screenings, you can visit http://fullspectrumfeatures.com/chicagoshorts/

 

tags: film, screenings, chicago, chicagoland, filmmakers, short film, animation, asian american, events
categories: Short Film
Monday 02.22.16
Posted by Guest User
 

ABC's 'Fresh Off The Boat' is Trieu To My Heart

Kathy Trieu

kathytrieux@gmail.com

Fresh Off The Boat’s episode “Year of the Rat” accomplished yet another first--the first time Chinese New Year has been featured on network television. As an avid fan of the show, I’ve laughed and cried along with the Huangs since the very beginning when they began to settle in Suburban America. The Huang’s process of assimilating into the suburban community reminded myself of my move from my comfortable Vietnamese community in Houston to rural Minnesota for college. While in college, the show became important so much that each release of a new episode became an event for me, similar to the spectacle of sports.

abc.go.com

abc.go.com

My Asian-American friends and I gathered to watch the Huangs and cheered when the show successfully accomplished what mainstream television cannot. When we saw ourselves on screen, when we could find ways to relate to the characters, we won. We cheered when the Huangs pulled out Chinese plates and bowls to eat breakfast and when the Huang children poured Pert shampoo into Pert Plus bottles. Yet, these were the little things. Beyond the small customs and characteristics the Huangs introduced to their viewers are big ideas and nuanced identities that are easily overlooked.

That being said, the “Year of the Rat” episode was a big deal. It presented many opportunities for the Fresh Off The Boat team, who were asking: what would be the storyline for network television’s first Chinese New Year themed episode? And yet, after watching this episode, the story seemed to me to be perfect--maybe even the only way to go. It brought to the forefront of American entertainment an issue we Asian-Americans, who celebrate Lunar New Year, are familiar with; creating the Lunar New Year experience. This requires effort, especially in a land not exactly fit for the celebration.

For the Huangs, it seemed as if Chinese New Year simply could not happen in suburban Florida. Throughout the episode, Jessica and Louis made remarks regarding what needed to be present for Chinese New Year to be authentic. Some items such as the fireworks and drums seem standard. Chinese New Year celebrations in US Chinatowns all include such things, so to be surrounded by vibrant red and loud celebratory fireworks and drums might appear to be what we Asian Americans seek when it comes to this time of year .

Though true, Jessica and Louis’s search for Chinese people truly tugged at my heart. I laughed out loud at their discovery of the Asian American Association of Orlando because I’ve been through that dreadful moment, that realization that I needed Google to find other Asian Americans in Minnesota. It was my second year of college (up until then, my denial of missing Asian America had sufficed). Right in the dead of Minnesota winter, I began my search for Minnesota’s Asian-America. They had to be out there right? I thought.

“I never expected that a holiday so special to my family and my community would be one that anyone would care to celebrate with us”

All this to say, we don’t want to have to celebrate the Lunar New Year in these circumstances. Like Jessica, I’ve had my “I just want this day to be over” moments. Or rather… “I just want this month to be over with” because I wanted to be home in Houston, TX with my Vietnamese-American family. I wanted the red envelopes, firecrackers and fireworks, the parades, pork buns, drums, lions, dragons, and red lanterns. I wanted the chocolate coins wrapped in gold paper and the water dumplings that bring you great fortune. Most importantly, I wanted to have a New Year’s celebration with people who “cared to get it right.”

The Huang’s Chinese New Year party was more than a gathering of good friends and family. It was more than Louis’s makeshift creativity. I guess to me, it offered hope. Like Louis says, “It’s not that people don’t care enough to get it right. It’s that people didn’t know.”

Growing up in America and learning to celebrate Christmas, Thanksgiving, and Halloween as my own holidays and tweaking my Asian-American habits to fit the celebrations was expected. When Lunar New Year rolled around, I never expected that a holiday so special to my family and my community would be one that anyone would care to celebrate with us. That wasn’t a problem, necessarily. It was a normal part of being an Asian-American who celebrated the holiday. Yet here was a Chinese-American family celebrating Chinese New Year on network television!

Thank you Nahnatchka Khan and the Fresh Off The Boat crew for pulling Asian-America out of invisibility by writing us into the American story.

_____

Kathy Trieu will graduate from St. Olaf College in Northfield, MN with a BA in Asian Studies. She is currently residing in her hometown, Houston, TX.

 

Tuesday 02.16.16
Posted by Huu Ly
 
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